During 2019, my performance and installation practices have both thematically embraced futures. I see that creation of futures as a place where internal and external worlds intersect in a meaningful way. I am especially interested in emotions and feelings taking part forming futures. It is also a place where by focusing attention and using our emotional intelligence we can create a future of our own. I see my practice as a part of Alternative Futures Studies and a mode of disrupting the technocentric planning or programming practices.